【By DanielJin】eVolo2016 Honorable Mention团队访谈

**DanielJin** · 拓邦元帅|**DanielJin** 发表于 2016-4-14 04:55:20

本帖最后由 DanielJin 于 2016-4-16 11:24 编辑

采访：Daniel Jin

获奖团队: Jayong Shim(韩国), Dailong Ma, Tai Feng

获奖地址：http://www.evolo.us/competition/biomorph-skyscraper-atmosphere-of-the-place/

本文内所有设计内容版权归原设计团队所有，文字访谈内容版权均为本人所有。任何第三方机构未经允许不得转载，不得肆意修改本文内容。本人依法保留相关诉讼权。

编者按：今天为大家介绍的是另一支同样来自宾大PennDesign的设计团队。他们的设计在eVolo2016年竞赛中获得了Honorable Mention提名。队伍成员中的Jayong Shim为Singularity作品集辅导团队中韩国方向的负责老师，欢迎大家观看她的作品集：http://www.archportfolio.us/index.php/jayong-shim/。该采访为英文访谈，为避免翻译歧义，保留原汁原味，顾附上英文原稿。

【正文】

我：欢迎你们接受我的采访。首先，请简单向我们介绍一下你的设计，你的队友们，以及你们各自担任了什么样的角色吧！

Me：Firstly, please give us a brief introduction of your teammates, what role each of you played,and about your project.

答：大家好，我的名字叫做심자용（Jayong Shim），来自韩国首尔。我的两位队友分别是Dailong Ma以及Tai Feng。竞赛中我们团队的方案是来自上个学期的课程设计。在课程设计期间，我们的分工是这样的：Dailong负责的是整个模型的3D打印以及剖面空间的设计，Tai Feng负责效果图制作和平面及功能的设计，我负责整个塔楼形体的设计以及外立面设计。我会定一些大体方向，我的两位队友帮助我一起进行建模来推敲，同时我也帮助他们做一些平面和剖面的绘制工作。在竞赛时期，我又添加了一些渲染图，并将设计做了一些发展。

안녕하세요.My name is Jayong Shim. My teammates were Dailong Maand Tai Feng. During last semester, Dailong Ma was working for 3D printing and section drawing, and Tai Feng worked for render shot and plan drawing. I designed entire building by Maya and drew all façade, plan, and section drawings. Also I made all render shots with Maxwell studio and Photoshop. And I have developed the project alone after the semester.

我：我们的方案是关于形态设计及新型空间体验的一次探索。

Me：This project is about morphogenesis and new spatial inspiration.

答：“place”的定义，通常是“space”中的一个特定组成部分。它也许是有边界的，也许是边界不确定的。然而，在我们的方案中，“空间”并不被传统意义上的“地方”所限制。我们所设计的空间，希望让人们体验到它的存在，感受到特定的空间体验。仿照有机生物的形态设计模糊了空间之间的关系。这个设计中的空间以纽约市作为特定背景，外立面则作为实验性的符号，唤醒了人们关于探索更多社会价值的思考。空间氛围同样创造了许多室内设计的机会，人们可以从这些室内的设计中感受到启发。我们希望该设计能够唤起人们的多元化思考的方式以及对生命之美的追求。在外立面设计中，仿生立面的形态设计能够将光进行散射，产生多样的室内光环境。当使用者在体验空间场所时，明亮的阳光将会引导那些在室内较黑暗的场所中的人们，而黑暗的场所将会吸引拥有强烈好奇心的人来一探究竟。小尺度房间于大空间中庭加深了空间的对比，给了人们多变的室内空间体验。整个设计不只综合了高层建筑所应有的基本功能，也作为一个实验性场所，去探索和唤醒人群的多样性。

A definition of a place is a particular portion of space, whether of definite or indefinite extent. However, in the project, the space is not limited by the fundamental dimensions of"place". The place is a space people can feel the existence andspecific emotion. The morphosis design of organic creature integrates diverse experience that blurs the boundary between spatial relationships. The spaceuses New York City’s landscape as a background, and façade as an experimental symbol which is stunning the society and evoking people's thought to exploremore value of the community. Spatial atmosphere also creates an opportunity to experience some special interior phenomenon and moment which people may get inspired and surprised. It can be considered as a chance to provoke people's passion about aesthetic urban life and turn those passions into a diverse wayof thinking. In the façade, morphosis design of organic creature make many different diffuse light qualities which can produce various interior atmospheres. When people experience the space, the bright light lead and gather people who are losing way from dark area, then the dark zone attracts people who are holding a strong curiosity. The contrast of small scale rooms and large scale atriums gives people various spatial inspirations on the difference ofurban scale. The entire project does not only synthesize the fundamental function with morphology of the building design, but also consider large scaleurban environment as an experimental field to explore and provoke people'sdiversity.

我：我知道该设计是上学期Ali Rahim教授的studio中你们组的课程设计。可以对大家介绍一下该studio吗？

Me：I know that the Evolo project is from Professor Ali Rahim’s studio, the first semester of U.Penn’s M.Arch PPD program. Would you please introduce us about this studio?

答：这一个studio是一个关于前卫建筑设计的讨论。我们的教授有四人，分别是Ali Rahim，Ferda Kolatan，Robert R. Newmayr 以及Nate Hume。同时，我们还有四个TA和四个学生助教。该Studio的目标和我在韩国上学时经历的studio的目标十分不同。该studio关注于非线性形态以及非线性形态的构成手法。许多学生说我们只是在做一种“类建筑的雕塑”，然而我认为，上学期的设计中有许许多多方案体现出了风格各异的建筑设计方法，手法均不相同。因为我们的设计中还要求我们的设计于“资产”相关，我们需要像推销人员一样卖出我们的设计（编者：位于曼哈顿地区的每一栋建筑都是一笔理财投资，每个设计因此都要有能够激发人们投资的兴趣点。比如你的设计主旨是给无人机物流所做的，或者说是用来跳楼自杀用的。整个设计必须有一个主旨，足够吸引投资人来投资。），而我们每一组的“asset”都不同，我们studio的许多设计都和自身的“asset”紧密相关，所以最终的成果差别很大。对我来说，这样的studio是非常吸引人的。

This studio isabout advanced design for architecture. Our instructors were Professor Ali Rahim, Ferda Kolatan, Robert R. Neumayr and Nate Hume. There were 4 TA and 4assistant TA. The approach to architecture is very different from other studiosI experienced in Korea. It focused on formation with specific forming techniques.Some students said we just learned about sculpture art. However, during last semester, there were a lot of diverse projects which have different ways of designing architecture. Because we were trying to make asset for selling the new design so I could see a lot of new programs and asset can be combined with their design. For me, it was pretty interesting.

我：我们都知道表现图在近些年的eVolo竞赛中所占的比重越来越大了。曾有人戏说eVolo竞赛简直成了效果图大赛。然而你们和获得二等奖的Hadeel团队的竞赛稿件中，效果图部分占得比重却并不大，你们甚至用了教授发的同一张照片作为背景。你们两组都尝试着创造新型的“功能”与“形态”的结合，并且用了比较前卫的建筑设计手法当做你们的构成手法。你认为这是eVolo在削弱效果图重要性的信号吗？

Me：We all know thatthe importance of perspective rendering is getting more and more in these years’Evolo competition. It was once said that the Evolo had totally been a rendering competition. However, for the projects from your team and Hadeel’s team,neither of them are about rendering-only. We can tell that you two teams are using the same background in your perspective rendering. Both of you are tryingto create a new combination of program and form by using a new term and technique so-called Advanced Architectural Design. Do you think this is asignal that Evolo is getting more and more serious about program or concept?

答：事实上，我之前并不太了解eVolo竞赛。上学期结束后，我们的TA Maru Chung推荐我们申请这个竞赛。在申请前，我没有任何eVolo的信息，只看过一些曾经获奖的设计作品的图片。所以我并不太认同eVolo是一个效果图大赛。当我看到其他的竞赛作品时，我认为eVolo只是一个重视概念和新鲜想法的设计。有些方案完全没有任何高水平的渲染，但是他们的理念非常棒。其实就连我渲染水平都只是尚可。而且我还认为，对于每个建筑方案来说，渲染只有在设计方向非常清晰或拥有非常创造性的理念时才有用。

当然啦，现在我们两组把图改了一下，你们再从官网上看到的渲染图就不相同啦！

Actually, I didn’tknow about eVolo competition very well. After finishing last semester, TA MaruChung recommended me to apply the competition. Before applying, I couldn’t get any information about eVolo and just saw some projects which got awards in the website. So I don’t agree that eVolo is a rendering competition. When I saw other projects, I thought eVolo is new concept or creative idea competition about architecture. Some projects didn’t have any high quality renderings butthe idea was amazing. Even I couldn’t make any high quality rendering shots. In addition, I always think, for every architecture projects, render shots canwork only when the projects have clear direction or a creative idea. Also, now two teams have different perspective rendering haha.

我：我们都知道你们的参赛作品直接来自于Ali教授的课设。对于有些本科生而言，他们认为这些建筑太过前卫，根本无法建造。在他们的观念中，做这些设计对建筑学的学习来说是无用的。他们更希望设计一些脚踏实地的“构筑物”而非“类建筑雕塑”或“原型建筑”。事实上，我们目前在宾大的学习和我们曾经在中国或韩国本科阶段的学习差别非常大。所以你对这些前卫建筑的看法是怎样的呢？

Me：We both know thatthe project you submitted was from Ali’s studio. However, for some undergraduate students, they hold the opinion that those architectural stuffthat we did before were too advanced to construct. Which is, in their mind,they are pointless and useless for architectural learning. They tend to designthe architecture but not architectural sculpture or what we called prototype architecture. Frankly, the thing that we are doing now in U.Penn is way different from what we did back in our country, no matter in Korea or China.So, what’s your opinion about one of the most popular topic, the so-called Advanced Architectural Design?

答：我在韩国进行了本科阶段的建筑学学习，这一阶段的学习和目前我所接受的宾大研究生学习的感受是非常不同的。我理解很多人认为目前我们所进行的学习是无用的，也理解很多人认为本科阶段的学习是很老套的。就我而言，建筑学之所以称为建筑“学”而不是建筑设计，是因为建筑学是一种文化，它可以展现人们的历史和生活。因此我认为建筑学领域中，应该有许许多多不同的关于“建筑学”的想法以及定义。我们所上的第一个学期的studio的目标只是完成众多内容中的一种。我非常幸运能参加这个studio，因为我学到了在韩国时期我从来没有学到过的知识。这让我有了一种国外的角度来看待我曾经的学习。我在韩国的建筑事务所工作了两年半，所以我非常认同我们的设计【现在】确实没有办法被建造，但是我并不认为我们这种学习就是毫无意义的。我们可以发现建筑设计领域中的新的机遇。我的朋友常对我说，我设计的建筑一百年以后就会被盖出来了，我非常喜欢这种评价。

I learned architecture in Korea so I know the studio is totally different. Also I knowsome people think the design approach is useless and old-fashioned. Everyone can have their own preference and opinion about architectural design. However, Architectureis culture can show people’s history and life. So I thinks there should bevarious ways of thinking about architectural design for an architecture field.This studio is just considering one of designing approaches. I really appreciate Ali’s studio because I learned a different thing I couldn’t learn in Korea. It makes me have a broad perspective. I had worked for architectural offices for2.5 years in Korea. So I agree it is too advanced to construct AT PRESENT. But I don’t think it means direction of Ali’s studio is pointless. We can find new possibilities about architectural design and space through a lot of different ways.My friend said my project can be built 100 years later. I really like thecomment.

我：小黄人君帅吗？（请如实回答）

Me：Is Daniel Jin avery handsome boy? (A. Yes B. Yes of course)

答：非常帅气，即使按照韩国人的眼光也是帅到掉渣的。他不但拥有中国男生的知书达理温文尔雅，韩国男生的阳光灿烂和精致外表，还拥有欧美男生的海拔和肌肉。简直是不可多得的人才！

C. Haha my bestfriend is very handsome and also have a great personality :)

我：你们对国内的学弟学妹还有什么想说的吗？

Is there any suggestion you want to say to your prospective students?

JY：我认为和韩国相比，美国有许多风格不同的studio。每一个studio的目标都不一样，所以我希望韩国的学弟学妹能够更加包容这些设计。我们可以讨论各种不同流派的建筑，这是很有意思的。当然最后欢迎大家加入Singularity大家庭！

Dailong：我是美国本科，所以我觉得还是Tai Feng对国内的小学妹更有话语权。

Tai Feng：作为重庆大学的“优秀学长”，我想说的话其实和上次采访中Chengda想说的一样，只不过我更帅，更会打球，更能帮小学妹渲染。（前边删掉不要）各位学弟学妹请少熬夜，多运动！

I think there area lot of diverse design studios in America compare to Korea. Every designapproaches have each own valuable features so I hope them to be open-minded. Wecan discuss with people from different backgrounds about diverse viewpoints ofarchitecture. It will be fun. And of course, welcome to join our Singularity ArchPortfolio Studio!

我：感谢你们接受采访！谢谢！

Me：Thanks for the interview!

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