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Architects(建筑事务所): noa*
Location(项目地点): Bolzano, Bolzano, Italy(意大利波尔萨诺)
Year(年份): 2014
Photographs(摄影): Courtesy of noa*
From the architect. noa* (network of architecture) rethink the family resort Ulrichshof and transform the former farmstead into an exploratory world of senses. 以下内容来自建筑事务所: noa* (连锁事务所)对Ulrichshof度假胜地进行重新思考,将以往的农庄改造成一个感官探索的世界。
The team of architects, designers, psychologists, hunters, textile designers and lighting artists invented a bottom up-approach for the entire project. “things were pretty much all there already, but elements were out of sight, they did not communicate with each other and were hiding beneath the forest, the farm and the existing hotel”, explains Stefan Rier, co-founder of noa*. 由建筑师、设计师、心理学家、猎户、织物设计师及照明艺术家所组成的团队为整个项目打造了一套倒序设计方式。“东西基本上都已齐备,可元素还未成形,它们之间毫无关联地隐匿于林间、农场和现有酒店之下”,noa*合伙人Stefan Rier解释说。
The former farm, the Bavarian forest, the exceptional location, a building with an intense history and the intuition to discover the potentials of the hidden things, were the key elements that inspired both architects Lukas Rungger and Stefan Rier. Together with their network of architecture they conceived and developed a sustainable concept for the future of the hotel. 原有农场、Bavarian森林、独特的场地、承载着坎坷历史的建筑,以及发掘隐蔽物潜能的直觉是吸引建筑师Lukas Rungger和Stenfan Rier的关键因素。在建筑网络的辅助之下,他们构想生成了酒店未来可持续发展的概念。
“During the initial design phase we walked for hours through the nearby forest, we were sitting for hours in the old barns to get inspiration, watching and discovering the beauty of the ensemble”, says Lukas Rungger. Those moments were fundamental, and really inspiring. The darkness of the woods evolved into magical stories of foxes, fairies and ghosts. “设计之初,我们会在附近的森林里穿行数小时,或久坐于旧谷仓中观察和发掘整体的美来汲取灵感”,Lukas Rungger说。这些时候很基础却的确深受启发。树林的黑暗不觉引人坠入充满了狐狸、精灵和幽灵的魔法世界。
Architecture and Interior Design as an entity rich in contrasts. The Bavarian forest forms the narrative frame for the entire resort, it works as a script. The architectural shapes of the existing farms act like a protective wall around the newly conceived ensemble of the project. noa* managed to add a contemporary momentum, while still being very respectful: not a single volume is higher than the surrounding trees. 建筑(外观)与其室内设计形成强烈对比。Bavarian森林决定了整个度假区的叙事性结构,如脚本一般运作。现有农场的建筑形态好似保护墙围绕在方案的新构想建筑群外。noa*欲为之注入现代气息但始终尊重自然原则:不是一个孤立体量凸显于树丛之上。
The spirit of the place as a main carácter: noa* reinvents the Ulrichshof: both Lukas Rungger and Stefan Rier form a new stage, a platform for the concealed. The glazed facades of the lobby and the “Waldpassage” dissolve the built volumes and re-enact the Bavarian forest. The character of the surrounding forest becomes a design principle for the internal spaces. At the same time it defines the basis of a magical stage for fables and fairy-tales. Various “touching points” are implemented with maximum care and crafts. Traces of animals carved into wooden panels become physical and visual moments of storytelling. Full height glazing panels open up the main views towards the outside. 场所精神居主导地位:noa*赋以Ulrichshof全新形象:Lukas Rungger和Stefan Rier打造了一个新舞台作遮蔽之用。大堂的砑光饰面与“林间走廊”解决了建造体量的问题,同时也再现了Bavarian森林感受。四周环绕的森林成了内部空间的设计原则,与此同时,它还决定了寓言童话故事的魔幻基调。极致的关怀与工艺造就了种种“感动点”。木质饰板上雕琢的动物纹样直观而静默地述说着它们的故事。落地玻璃幕墙将室外景色呈现于人们眼前。
Fairytales without kitsch and pomp: “Children need fairy-tales” is the title of Bruno Bettelheim’s, which inspired the composition of the interiors. 摒弃低级趣味和虚有其表的童话故事——“孩子们需要精灵的故事”是Bruno Bettelheim酒店的主题,室内装饰构成也由此而来。
“There is no need for spare elements to tell the deep worlds of the myths and legends”, says Diana Gallmeier, Munich based psychologist; she has been working within the collective of noa* especially for this project. Bridges, paths and alleys border the central lobby. They are in contrast towards the organic shapes of architecture and design elements. The reference to the outside is communicated amongst typical trees of the Bavarian Forest within the interior itself. “备用元素无需诠释神话传说的深奥世界”,慕尼黑基础心理学家Diana Gallmeier表示;她一直与noa*团队协作,尤其在此项目中。桥梁、小径、巷道与中心大厅接壤,他们同建筑及其设计元素的有机形态形成鲜明对比。建筑通过其室内设计和Bavarian森林中的典型树木间的呼应使内外形成关联。
The furniture is a design consequence of noa*s collective work ethos: curtains, lamps and sofas are all inspired by the magic of the place. These are key points of contact, they invite to make every single moment a moment of desire.
室内家具是noa*团队工作精神的设计体现:窗帘、台灯和沙发均受到场地魔力的启发。这便是联系的重点所在,他们将各自独立的时刻幻化为欲望瞬间。
原文标题:The Ulrichshof / noa
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