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建筑师:JOHO Architecture
地点:78 - 3 Gugi-dong Jongno-gu,首尔,韩国
项目负责:Jeonghoon李
面积:98.0平方米
建成时间:2014年
摄影:Sun Namgoong
设计团队: Il-Sang Yoon, Gae-hee Cho
施工: Dong-jin Chea (JIUM construction)
Space is projected by time, and time presents itself by constructing. Time leaves a trace with space, but the real space changes by the flow of time. If time is what really exists inside our consciousness, it is certain that we can reproduce it as a substantial figure. Architecture is the work of imagery of time we sense as an uncertain being. Therefore, architecture is historical as a meaningful process to present the diachronic and synchronic value of the being.
建筑空间由时间定义，时间反过来通过建造馈赠它。时间在空间留下了痕迹,但真正的空间是由时间的变化而改变。如果时间是真的存在在我们的意识,可以肯定的是,我们可以将他作为大量的图像再生。建筑是时间图像的作品，在我们看来，就类似一种不确定的存在感。因此,建筑是作为一个有历史意义去展示历时性和共时性的价值的过程。
“I have at least 2,000 books.” The building owners told me quite an interesting story while asking me for design. The owner couple’s hobby with many books was the main point of the concept as well as an attractive condition. The story about the books led me into the imagination about the exciting spatiality on the design. Just like the motif about the books, the existing building had an interesting spatial structure, too.
“我至少有2000本书。”在要求我来设计的时候，这个房子的主人告诉我一个相当有趣的故事。主人夫妇的爱好是这一设计概念的主要观点以及一个有吸引力的条件。关于书的故事使我进入了令人兴奋的空间性设计想象中。就像书的主题一样，现有的建筑也有一个有趣的空间结构。
It was a detached house smaller than 40 pyeong, but the kitchen and living room on the first floor were skip-floor style, and the kitchen was working as a bridge connecting the living rooms on the first and second floor. Like this, the house was divided into two parts: the first floor for the first generation, the grandmother’s, and the second floor for the second generation, the owners and their children. It was very efficient spatial structure for the three generations to live in a one house. The kitchen connects the both places with its skip floor style. As the owners’ library filled with 2,000 books, time is piled up over the generations like the old books here. 这是一个小于40pyeong的独立式住宅，但是一层的厨房和起居室又是跃层的样式，厨房作为连接一层和二层起居室之间的一个桥梁。这样,房子被分为两部分:一层是年长者的居所,二层是主人和他们的孩子住的地方。三代住在一个房子里，这是一种非常有效的空间结构。厨房以跃层的形式连接这两个地方。作为藏有2000本书的业主图书馆,时间就像这里的老书一样堆积在这里。
The bricks used in the existing house were those that were popular in 70~80s and but produced anymore these days. The trace of the age remains elegantly on the patterns and texture of the brick as the symbol of the history of this house. It was the goal of this project to use new bricks produced in 2014 on the extended parts of the trace from 30 years ago to present the past and the present at the same time as they are. In other word, it was supposed to present the temporal communication between the past and the present by using the modern bricks that have similar colors with the old bricks on the extended part covering the old ones. With this process, we can read the temporality of the building by its texture and communicate the emotion of time through the modern spatial structure. 现在房子用的砖是上世纪70-80年代流行的那种，但是是最近生产的。年代的痕迹依然优雅的保存在图案和纹理上，成为这所房子的历史的象征。这个项目的目标是使用生产于2014年新砖，在同一时间展示过去和现在。换句话说,它应该是通过和旧砖头有同样颜色新砖以及类似的颜色砖块覆盖旧的扩展部分，来展示过去和现在之间的交流,。通过这个过程,我们可以从它的纹理读出建筑的当代性，同样可以通过现代空间结构与时间的情感沟通。
With motor-operated window inside, it can also use energy more efficiently for the seasonal change, from summer to winter. It means that the layer of light and air which created on the upper part, lower the load of thermal energy of the building in overall and actively changes the inner space according to the diverse changes of the air. In conclusion, the newly extended pattern of surface is the reproduction of modern time and a reasonable alternative for more efficient circulation of light and air. 室内因为有了电动机驱动的窗户,它还可以应对季节性变化更有效地使用能源,从夏天到冬天。这意味着在上部产生的光和空气层,在整体降低了建筑物的热能负载，并且根据空气的不同变化积极改变室内环境。总之,外表皮的新扩展模式是现代时间和合理的选择更有效的光线和空气流通的再生。
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